Recruiting classical
Audition Information / FAQs
Hear why Beatrice is getting involved
“The repertoire was perfect for getting a true feel of the orchestras.”
FAQs
What happens after I apply and choose my audition location?
After applying and selecting your preferred location (London or Manchester/Liverpool), you’ll be allocated a provisional 3-hour audition slot and notified by email. Please confirm your availability within the stated timeframe. You’ll receive at least two weeks’ notice to prepare.
What will I need to prepare?
You’ll receive a set list of required excerpts and one classical concerto. In your audition, you’ll be asked to prepare the exposition of the concerto and at least two of the listed excerpts. Please prepare all excerpts as they will be chosen at random on the day.
Is travel support available?
Yes. In exceptional circumstances we can help with intercity travel costs, particularly for candidates based outside London or Manchester. If you feel you may need support, email rc@blim.org.uk as early as possible with your location and details of your request.
What should I do when I arrive?
Please arrive up to 30 minutes before your scheduled time. One of our ushers will welcome you, guide you through check-in, and help you get settled. Our team works to create a calm, supportive environment. Feel free to ask for help if needed.
Will I have time to warm up?
Yes. After check-in, you’ll have 10–15 minutes in a private warm-up room to settle, tune, and focus before your audition.
Will I rehearse with the accompanist?
Yes. You’ll have a 10-minute rehearsal with one of our professional accompanists to confirm tempi and make any final adjustments.
Can I bring my own accompanist?
Yes, you’re welcome to use your own accompanist. Please let the admin team know in advance so this can be arranged.
Do I need to bring a score?
Our accompanists have standard scores, but we strongly recommend bringing your own copy to ensure you’re using the same edition and markings.
Will auditions be screened?
Yes. All auditions are screened with a physical barrier to ensure anonymous assessment based solely on musical performance.
Who will be on the panel?
Panels consist of professional musicians from participating orchestras, including specialists in your instrument and members of the Global Majority.
Will my audition be recorded?
Yes. Auditions are audio recorded for reference during panel discussions, supporting a fair and transparent process.
When will I hear the results?
You’ll be contacted up to three weeks after your audition. This allows the panel time for careful review. Notification will be sent via the contact details you provided.
Will I receive feedback?
Yes. Panel feedback can be sent to you on request.
What if I am successful?
Congratulations! You’ll join the extra work list and will be contacted directly by each orchestra within a few months, depending on opportunities available. Initially, you may be offered lower-pressure engagements to get familiar with the orchestra.
What if I am not successful?
Please don’t be discouraged. Auditions are a learning experience and you can return in future years with greater confidence. Take feedback on board, continue developing your skills and consider applying again.
Contact Us:
For questions or support, please email rc@blim.org.uk