Classically Black London brought together performers, audiences and community to celebrate black excellence in classical music and to reimagine what the future of the industry can look like when everyone is seen, heard and supported.
Now in its fifth year, Black Lives in Music continues to lead the way in promoting equity and representation in classical music. This year’s Classically Black was not just an event but a statement, one that shone a light on the artistry, innovation and resilience of musicians and creatives who are shaping the cultural landscape in extraordinary ways.
The day was a rich blend of conversation, performance and collaboration. It invited audiences to reflect, listen and engage with the voices driving meaningful change within the classical sector. From thought-provoking dialogue to moments of musical uniqueness, Classically Black London embodied what happens when inclusivity and creativity come together on one stage.
Sisters Are Doing It for Themselves
In “Sisters Are Doing It for Themselves,” the panel shared honest reflections on their journeys through the classical sector. Each speaker brought their own lived experience to the conversation, from navigating traditional spaces to building creative independence and redefining what it means to thrive as black women in classical music.
They discussed the barriers that persist, the importance of community and mentorship, and the need to nurture young talent who might not yet see themselves represented on stage. What emerged was a conversation full of warmth, humour and wisdom, setting a deeply thoughtful tone for the rest of the day.
The audience response was deeply engaged, with attendees contributing their own perspectives and questions, underscoring how vital open dialogue remains in building a more inclusive industry.
Inspiring the Next Generation
Following the panel, Pete Letanka led a children’s workshop that became one of the most uplifting moments of the day. Pete began by speaking about the importance of recognising and celebrating black contributions within the classical sector, both historically and today.
His passion set the stage for a performance that moved everyone in the room. The young musicians, representing a range of instruments and voices, took to the stage with confidence and joy. From violin to keyboard to vocals, their energy filled the space. By the time they finished, the entire audience was on their feet.
The performance was more than a beautiful moment; it was a powerful statement about access and belonging. It showed what the future of classical music can look like when all young people have the encouragement and visibility they deserve.
New Works: From Historical to Hip Hop
The afternoon explored the evolution of musical expression with New Works: From Historical to Hip Hop, a session that showcased creativity across time, genre and identity.
Opening with a keynote from Dr Kadiatu Kanneh-Mason, the session reflected on the lineage of black classical expression. Drawing on her own experiences and those of her children, she offered a personal and powerful insight into navigating the classical world as a family of musicians.
The Sabi Ensemble then performed rich and expressive works by Louise Farrenc and Samuel Coleridge-Taylor, reminding audiences of the long history of black and female composers whose contributions continue to influence the art form.
This was followed by an electrifying set from Simmy Singh, whose unique fusion of violin and electronics blurred the boundaries between classical, jazz, folk and experimental sounds. The performance invited listeners to see classical music not as something fixed but as a living, evolving conversation.
The session reached a high point with The Jollof House Party Opera, with its blend of opera and hip hop, the performance defied convention, filling the hall with rhythm, humour and unstoppable energy. It was bold, engaging and fresh, a true celebration of new voices, cultural pride and artistic freedom.
The Next Movement: Spotlighting Tomorrow’s Talent
As the day drew to a close, The Next Movement, sponsored by Warner Classics, showcased the next generation of composers and performers. This final performance captured the essence of Classically Black London – talent, originality and passion in their purest forms.
The lineup included Michael Howell (songwriter and voice), Mebrakh Haughton-Johnson (clarinet), Hoda Jahanpour (cello), Teddy Otieno (piano) and Zara Antonia Williams (piano). Each artist brought a distinctive voice and perspective to the stage, drawing the audience into moments of vulnerability, intensity and transcendence. Every performance resonated with authenticity and purpose, serving as a powerful reminder that while talent exists, opportunity does not always follow. Events like Classically Black create the space where that balance can begin to shift.
“Every single performance showed us that the future of classical music is not only bright but beautifully diverse,”
A Legacy of Change
Classically Black was more than an event. It was a living example of what happens when representation, creativity and community come together to drive change. Throughout the day, there was a shared sense of pride and possibility, a collective understanding that this is what the future of classical music should look like.
At Black Lives in Music, we remain committed to championing equity and representation across the industry, ensuring that every musician, regardless of background, has the opportunity to thrive.
We extend a huge thank you to everyone who attended, performed and supported Classically Black, and to our sponsors, partners and collaborators whose commitment makes this work possible. Your support ensures that the next generation of musicians will continue to see themselves represented on every stage.
